dieDAS’s 2026 fellows were carefully chosen by a selection committee composed of members of our founding team and esteemed design experts. The committee included:

Born in St Denis in 1994 and currently based between Réunion Island and the Netherlands, Yassine Ben Abdallah is a research-based artist-designer focused on issues of heritage, cultural identity, and belonging. Informed by his family’s experience as immigrants from Tunisia, he creates objects,installations, writings, and performances that interrogate the socio-political aftereffects of colonialism with the goal of uplifting unheard personal and collective narratives.
"It was a real pleasure and a source of inspiration to review all the applications. I was struck by the diversity of the applicants and the wide range of creative practices. Together, they reaffirmed my conviction that designing in a damaged world means creating the conditions in which many worlds and paradigms can coexist."

Philipp Oswalt is a German architect, writer, and educator based in Berlin. From 1988 to 1994, he worked as editor for the architectural journal Arch+. From 1996-97, he worked for the Office for Metropolitan Architecture at Rem Koolhaas in Rotterdam. He has served as a Visiting Professor for Design at the Technical University Cottbus as well as Professor for Architecture Theory and Design at Kassel University.
His numerous achievements include winning the 1998 international competition for the design of the memorial site of the Former Women Concentration Camp Ravensbrück; serving as Initiator and Coordinator of the European Research project “Urban Catalysts” (2001-2003) on temporality in urban space, financed by the European Commission (with the program “City of Tomorrow”); working as Chief Curator of the international research and exhibition project “Shrinking Cities” for the German cultural foundation (2002 – 2008); as well as co-curator of Volkspalast 2004 (cultural use of the former Palast der Republik Berlin). From 2009-2014, Oswalt was Director of the Bauhaus Dessau Foundation, and from 2015-2019 he took on the role of Co-director of Project Bauhaus 2015 - 2019. He was also initiator of Lernort Garnisonkirche Potsdam, Initiative Zukunft Bühnen Frankfurt (2020), Berlin Plattform (2022), and Gedenkort Königstor Kassel (2023).

Roberto Sironi (1983) is an Italian designer, who lives and works in Milan.
His design practice is defined by a research-based and process-oriented approach, where thinking and making converge in the creation of artifacts, which are considered narrative tools to trigger a dialogue with the user. This approach materializes through a body of work that breaks with the primary function by blurring the boundary between functional object and sculpture; the artifacts produced are the result of a process in which the subjects addressed are investigated through an in-depth analysis from a historical, geographical and anthropological point of view.
The works are conceived as contemporary ultra-signs, where the transformation processes re-signify the matter, revealing its unseen qualities and giving it new features. The practice, founded in 2015, embraces different types of design practices, such as product and installation design, strategic research and design consultancy, through the collaboration with institutions, galleries and companies. Roberto Sironi also combines his practice with teaching and research activity in the Design Department of Politecnico di Milano, where his studies focus on technologies and materials for design.
Selected Collaborations: Nilufar, Carwan Gallery, Fendi, cc-tapis, Laufen, Tacchini, Fonderia Artistica Battaglia, Pretziada, Nodus Rug, Gallery S.Bensimon, Politecnico di Milano, Triennale Design Museum among others.
"Design today increasingly requires platforms like dieDAS that re-center ethical and responsible values within design practice. dieDAS approaches design as a tool for critical reflection, enabling a deeper understanding of the present while acting as a catalyst for the processes through which emerging designers imagine and shape the future. As a multidisciplinary community, dieDAS sets a new standard for the evolution of design residencies."

A consummate connector with an incredible eye, Berlin-based Tatjana Sprick has been navigating the boundaries between the creative disciplines for years, facilitating exciting collaborations and new ventures along the way. She began her career as a dressmaker for the Haute Couture before going on to become a set designer in the film industry, and has since expanded her focus to include fashion, design, craft, and more. Sprick has helped brands and institutions across the creative spectrum—and the globe—develop meaningful products, relationships, and experiences. She was responsible for initiating the design website L’ArcoBaleno and has advised and collaborated with clients such as the Fashion Council Germany, Yohji Yamamoto, Bikini Berlin, Dr Hauschka, Elitis, The DO School, as well as the multipurpose co-retail space ALHAMBRA BERLIN. As dieDAS's founding Director of Program and Development, she is responsible for overseeing the planning and execution of dieDAS programs, including the fellowship program and walk + talk Symposium, as well as helping the institution to build strong networks of collaborators, mentors, and supporters.

Cristina Steingräber is an art and architecture historian based in Berlin. She is cofounder of ArchiTangle, an independent publisher and tech start-up focused on socially engaged architectural practice and urbanism. The firm investigates the integration of traditional print and cutting-edge technology through blockchain-based digital book extensions. Steingräber previously spent more than a decade at Hatje Cantz—a leading global publisher in the visual arts, photography, and architecture—serving as program director and CEO. She holds a PhD in art and architectural history from Kiel University (CAU) and an MBA in economics from the prestigious TUMSchool of Management at the Technical University of Munich. Photo by Myrzik Jarish

Arne Cornelius Wasmuth is a historical restoration and preservation expert whose career has spanned work in television, radio, and film production. He is also a published author and lecturer on cultural heritage and related topics. Born in Hamburg and raised in Seoul and Lagos , he earned a B.A. from Columbia University, an M.Sc in International Relations from the London School of Economics, and an M.A. in Strategies for European Cultural Heritage and Preservation from the European University Viadrina in Frankfurt an der Oder. In 2017, together with collector and patron Egidio Marzona, Wasmuth conceived dieDAS.
We are pleased to announce the fellows of the 2026 dieDAS Fellowship Program. This year’s selection process brought together an exceptional range of applications from around the world. The jury was impressed by the clarity, rigor, and collective orientation of many proposals and has selected four outstanding fellows who respond compellingly to this year’s call Active Collection / Collective Action by Artistic Director Rozana Montiel. The framework understands collection not as accumulation but as a relational, spatial, and social practice—an active process of repair, re-collection, and reaction; of coming together, reconfiguration, and collective action.
Congratulations to Hira Rasool, Malika Leiper, Christopher Benton, and Sonia Kazovsky.Hira Rasool’s research-driven practice bridges material exploration, ecological knowledge, and collective learning. Her focus on material as a carrier of social and environmental histories resonates strongly with the fellowship’s emphasis on repair, material harvest, and situated making. Malika Leiper approaches design through collaboration with craftspeople and communities, foregrounding questions of belonging, access, and care. Her work aligns closely with the idea of active collection as a shared process connecting hand, industry, and social relations. Christopher Benton brings a community-centered methodology rooted in co-authorship, ethical fieldwork, and restorative archives. His practice treats design as social infrastructure, reflecting the fellowship’s call for collective action and civic engagement. Sonia Kazovsky’s practice engages archives, institutions, and pedagogy as spaces of collective rehearsal. Through dramaturgical and participatory frameworks, her work reflects the fellowship’s focus on re-collection, repair, and the reorganization of inherited structures.
Together, this group reflects the spirit of Rozana Montiel’s fellowship framework, Active Collection / Collective Action, bringing distinct yet complementary approaches to gathering, making, and acting together at dieDAS Design Akademie Saaleck. We believe the 2026 cohort will expand the conversation on how collective practice, material inquiry, and civic engagement can reshape social and spatial environments, contributing to more responsible and inclusive forms of design.We congratulate all fellows and look forward to their contributions to the 2026 program.
Cristina Steingräber
Chair of the Selection Committee
On behalf of the jury Yassine Ben Abdallah, Prof. Philipp Oswalt, Roberto Sironi, Tatjana Sprick, Arne Cornelius Wasmuth.